Tag Archives: hunchback of notre dame

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From Cirque to Soleil to Hunchback – Meet Brad Cronenwett

by Colleen Cook

In last week’s blog, we highlighted a handful of our region’s talented individuals involved with our production of The Hunchback of Notre Dame (which runs March 3-4, 11-12). If there’s one thing we’re passionate about, it’s providing top-notch arts and entertainment put together by the countless talented musicians, artists, performers, technicians, and creatives in our region.

This week, we’re going to dig in with someone you may not already know, whose work will take Hunchback to a different level. Bradley Cronenwett was born and raised in Shelby, and has gone on to do big things in the industry – most recently working with Cirque du Soleil!

Colleen Cook: What is your background? How did you get from Shelby to Cirque du Soleil?

Bradley Cronenwett: I was born and raised in Shelby, and have been an Ohioan for most of my life. While growing up I was an active part of The Ren community helping design productions with the resident designer at the time, Don Pontious. I really credit him for all of my lighting knowledge because he was such an integral part of my passion for lighting.

Through the years doing multiple types of production, working at The Walt Disney resort, and continuing to grow my knowledge in the field I began to apply for Cirque. I made lots of connections along the way, and we all know how small this world is, especially in production. As the news began traveling, one thing led to another and I began interviewing for positions.

I certainly did not get the first job I applied for. It was probably a span of six months of waiting and interviewing before I finally got the golden ticket. I joined Cirque du Soleil’s Amaluna in Amsterdam, April of 2016.

CC: How did you get involved with Hunchback?

BC: While attending a preview of A Christmas Carol the cast, myself and Michael Thomas all when out to dinner after the rehearsal and we discussed my current adventures with Cirque. I had mentioned that I was back in Ohio to help with the Richland Academy’s production of The Nutcracker which I think sparked a conversation. Later on Michael and I spoke about the show and I continued to express my interest in helping out. So here I am!

CC: What is your vision for the lighting design in Hunchback? What has inspired you, and what can the audience expect?

BC: My vision for designing the Hunchback lighting was to keep certain design elements in the show as true to the actual cathedral as best as we could. Earlier this month I  was on holiday in Paris, and visited the cathedral. I studied the shadows, the colors, how the light interacted with the cold stone pillars, and of course admired the colors of the beautiful stained glass windows.

We want to take the entire theater to Paris for a brief moment and let them experience how the cathedral must have looked in 1482. Of course the cathedral is just one setting in the show. The lights will adapt to the scene, and enhance the beautiful set, complement the costumes, and all without much notice to the audience, and that’s all by design.

Bradley continues his journey with Cirque du Soleil joining the newest Big Top show, VOLTA, touring here in the United States. You can see his work on our stage at The Hunchback of Notre Dame, March 3-4, 11-12, 2018. Get Tickets Here!

locally grown world class talent renaissance theatre hunchback of notre dame

Locally-Grown, World-Class Talent

by Colleen Cook

When I look around Richland County, I’m in awe of the incredible talent we find at every turn. Simultaneously, I’m shocked when I come across people who have been born and raised here who think they have to leave town for great arts and entertainment. Not being native to North Central Ohio, I’ve got to tell you: you don’t know how good you have it!

For evidence, look no further than our production of The Hunchback of Notre Dame which will have its regional premiere in March on our stage. This show boasts world-class talent on every single plane – not only among the incredible cast (feat. the likes of Ryan Shreve, Maddie Beer, Scott Schag, Colton Penwell, Stephanie Hayslip, Matt Mayer, Patrick Clinage, Jay Reid, and many more).

Most of the talent on our stage and behind the scenes is native to North Central Ohio. Many have moved away for a time and returned, and some have stayed, but they all share one thing: the talent they bring to the arts and culture scene in Mansfield is unmatched. 

It’s impossible to talk about our musicals and not rave about our director, Michael Thomas, whose vision and skilled direction of our musical theatre productions simply takes our entire organization to the next level. He shares about his experience writing for television and theatre, as well as his background as a Second City alumnus in this blog post.

Jason Kaufman has designed our remarkable set, hand-carving nine life-size gargoyles, gutters, and grotesques based on the actual design at Cathédrale Notre-Dame in Paris, where the Victor Hugo story is set. Jason is a well-known local artist with pieces featured throughout downtown Mansfield (most notably at Relax It’s Just Coffee) and an upcoming exhibit at La Luna.

This show we also welcome lighting designer Brad Cronenwett, a Shelby native who has worked as a lighting designer for Disney and is currently coming to us from Cirque du Soleil Brazil. (More on his story and vision for the production in next week’s blog.)

Local singer, teacher, and music director Kelly Knowlton, (most recently seen on our stage as Ursula in The Little Mermaid) brings together sixty performers: the cast along with an on-stage choir as well as the first live orchestra accompanying a musical at the Renaissance in seven years. The orchestra, which will include several members of the Domka family, will perform an Academy Award-winning score by Alan Menken and Stephen Schwartz.

Once again, Shannon Maloney returns to share her talent for choreography with our community. Shannon currently lives in New York City, but was raised here in Mansfield and is the daughter of another remarkable individual involved in the production: Dauphne Maloney, who designs and creates the costumes for our musicals.

We’ve barely scratched the surface on how many remarkable professionals have come together to create an unforgettable production. When you look around this region and think for a second that you need to drive an hour or more to see incredible productions, you’ve missed some of the greatest gems sitting right in your back yard. But don’t take my word for it – come to Hunchback on March 3-4, 11-12 and see for yourself.